A “QUICK!” Review of “Havoc (2025)”

Havoc struggles to find its footing in the first half, weighed down by a convoluted plot and underdeveloped, unengaging characters. The CGI is noticeably poor—particularly in the car chases, which feel unnecessarily digital when practical effects would have served the scenes far better. Visually, the film suffers from flat cinematography and a muted color palette that saps energy from the screen.

But once the film shifts gears in the second half, it delivers exactly what fans of The Raid: Redemption have been waiting for. The action kicks into high gear with explosive, pulse-pounding sequences that showcase the director’s flair for brutal, high-octane combat. It transforms into the kind of gloriously over-the-top action spectacle that makes the earlier missteps almost forgivable.

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A “QUICK!” Review of “The Prosecutor (2024)”

The Prosecutor is an interesting film, as it’s actually a legal-focused thriller first and foremost, with the martial arts action coming second. I found this blend of genres to work surprisingly well, and I give Donnie props for trying something different. The movie features a phenomenal opening action sequence and an incredible climactic one too. When it comes to the action scenes, you definitely won’t be disappointed. However, the legal aspect—which makes up the majority of the film—is unfortunately a bit lacklustre and predictable. I wish the courtroom scenes had explored more of the complexities of the justice system and delivered more intense drama. It didn’t help that the villain was incredibly one-dimensional. Still, it’s an entertaining action movie overall, and this film does show that Donnie knows how to handle action.

A “QUICK!” Review of “65 (2023)”

I love Dinosaurs I also love Sci-Fi However, this Dinosaur and Sci-Fi movie doesn’t work. There is barely any plot, barely any character depth, and a severe lack of dialogue. I don’t know why the writer made the characters unable to speak the same language because it just hinders the character interactions. They don’t even explain what mission our main character was on and why the girl was there. It also has a lot of questionable things such as why a futuristic ship couldn’t sense an asteroid belt, yet the main character has a sensor that works great on the ground. The director and writer don’t make us care enough about anything. So you should not care to watch this.

A “QUICK!” Review of “Heart Eyes (2025)”

Heart Eyes has the makings of a really cool modern slasher character. The killer’s design is pretty cool, and the concept of killing couples on Valentine’s Day is a novel idea. The movie even starts off well with some creative kills. However, the movie goes downhill from there. It turns into an incredibly corny romcom—the dialogue is sappy, and the characters feel cartoonish. The movie then whiplashes between romance and horror, as if suddenly remembering there’s a killer on the loose. At one point, in the middle of a chase, the characters start opening up to each other—which was definitely not the time. Meanwhile, the killer becomes increasingly incompetent, failing to take out the main characters. The comedy doesn’t land, the romance is bland, but the kills are at least enjoyable. Just don’t go into this expecting a full-on slasher horror movie.

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