Skip to main content

A Review of "Kingdom (2019)"

 

image

NOTE: This is a review of the 2019 Japanese movie based on the manga by Yasuhisa Hara. However, these was a Korean Netflix series with the same name which was released in the same year. Very confusing but this is about the movie. 

Unlike Rurouni Kenshin live action movies, I have no idea about the source material. I know it has 3 seasons of anime right now but I haven’t really considered giving it a read or watch. I stumbled upon this movie after looking into any other Japanese movies based on manga and this came up. 

The basic premise is a once slave boy named Xin (Kento Yamazaki) unites with a king Ying Zheng (Ryo Yoshizawa) to help him reclaim his throne from his evil younger brother Cheng Jiao (Kanata Hongo). They battle assassins, mountain people and huge armies in China. 

image

My first praise is the story which is pretty well told and intriguing enough to keep me invested. The story isn’t the most original and is clearly inspired by chinese stories but it is pace very well so that the audience themselves are ever really bored. This maybe in part thanks to the movie using a lot of Star Wars wipes which surprised me at first but it keep things moving along. They do use it a lot but   The stakes are also clear and very high which is compelling enough to make the third act feel really desperate and urgent. It also seems to be following the source material faithfully according to fans of the source material so in a way that is a plus. 

The set and costume design did a phenomenal job in making it seem like a China from B.C. which is in part thanks to them filming it in China. Despite the relatively low budget they still managed to make every costume feel authentic. The soundtrack is also quite good in bringing the scenes to life with its orchestral score but there isn’t any real memorable soundtrack like with the Rurouni Kenshin films. Although, it does have a ONE OK ROCK song in the credits just like the Rurouni Kenshin films.

The action scenes are not on the level of Rurouni Kenshin movies but they are still fun to watch nonetheless. One difference is that they are much more over the top with ridiculous jumping and huge crazy beat down characters take but this is part of the charm of Kingdom. There is a moment in this film where Xin hits an assassin with a sword and he bounces on 4 different bamboo trees,It’s as ridiculous as it sounds but entertaining to watch.

image

The cast also do a great job in bringing the characters from the manga to the big screen in a very accurate portrayal. This does end up creating a weird issue for me though. Xin (Kento Yamazaki) and HeLiao Diao (Kanna Hashimoto) are two of the main characters and they are performed like the source material with anime-esque personality. However, Ying Zheng (Ryo Yoshizawa) is performed in a more grounded performance. This isn’t only with the main leads though but with 70% of the cast giving more believable grounded performance but 30% giving an over the top anime performance. It’s mildly jarring and creates a weird tonal problem of the film with these contrasting performance. The film is definitely fun with its goofy action scenes but the goofy performances tend to be hit or miss depending on the scenario. In my opinion, one goofy character is fine but a lot can be a bit too much.

The film also overly indulges in a lot of flashbacks especially with Xin and his bromance friend Piao. Some the flashbacks feel necessary but near the end it gets a bit repetitive with it constantly reminding us that Piao inspired Xin. The film also kind of paints war a bit light heartedly which I feel clashes with the overall message of the film. Since its based on a long running manga which has 57 volumes, it ends with a very clear sequel bait ending instead of a conclusive ending. So if this movie doesn’t get a sequel the ending will be mildly annoying. 

image

In the end, the movie is a still a very good time. It’s a high energy movie that moves along at a great pace without stumbling towards the finish line. It’s colorful, fun, exciting and ultimately an entertaining ride of a film. You will come out enjoying it and that seems to be what the director was aiming for which in that case it succeeds very well.


 

Comments

Popular posts from this blog

A “QUICK!” Review of “The Prosecutor (2024)”

  The Prosecutor is an interesting film, as it’s actually a legal-focused thriller first and foremost, with the martial arts action coming second. I found this blend of genres to work surprisingly well, and I give Donnie props for trying something different. The movie features a phenomenal opening action sequence and an incredible climactic one too. When it comes to the action scenes, you definitely won’t be disappointed. However, the legal aspect—which makes up the majority of the film—is unfortunately a bit lacklustre and predictable. I wish the courtroom scenes had explored more of the complexities of the justice system and delivered more intense drama. It didn’t help that the villain was incredibly one-dimensional. Still, it’s an entertaining action movie overall, and this film does show that Donnie knows how to handle action.

A “QUICK!” Review of “65 (2023)”

  I love Dinosaurs I also love Sci-Fi However, this Dinosaur and Sci-Fi movie doesn’t work. There is barely any plot, barely any character depth, and a severe lack of dialogue. I don’t know why the writer made the characters unable to speak the same language because it just hinders the character interactions. They don’t even explain what mission our main character was on and why the girl was there. It also has a lot of questionable things such as why a futuristic ship couldn’t sense an asteroid belt, yet the main character has a sensor that works great on the ground. The director and writer don’t make us care enough about anything. So you should not care to watch this.

A “QUICK!” Review of “Heart Eyes (2025)”

  Heart Eyes has the makings of a really cool modern slasher character. The killer’s design is pretty cool, and the concept of killing couples on Valentine’s Day is a novel idea. The movie even starts off well with some creative kills. However, the movie goes downhill from there. It turns into an incredibly corny romcom—the dialogue is sappy, and the characters feel cartoonish. The movie then whiplashes between romance and horror, as if suddenly remembering there’s a killer on the loose. At one point, in the middle of a chase, the characters start opening up to each other—which was definitely not the time. Meanwhile, the killer becomes increasingly incompetent, failing to take out the main characters. The comedy doesn’t land, the romance is bland, but the kills are at least enjoyable. Just don’t go into this expecting a full-on slasher horror movie.